Veterans Day Celebration: Where are the Women?

Earlier this week, my colleagues and I organized an event honoring women veterans at CCSU.   Our headliner was VA Commissioner Linda Spoonster Schwartz, who started her career during the Vietnam war. At that time, the military only permitted 2% of active duty personnel to be female.  So, Schwartz began her career as a contract nurse with no official military appointment.  She had to ask her CO for permission to marry, and was honorably discharged when she became pregnant with her daughter.  When Schwartz tried to join the Air Force reserves, she was told her pregnancy was a “disability” — but fortunately she was able to persuade the reserves to take her anyway.  A few years later, the Schwartz was invited to debate Phyllis Schlafly about the issue of women in combat. This was at the height of Stop ERA in the early 1980s, and the big bugaboo was the possibility that women would get drafted.  Schlafly asked Schwartz how she would feel if her daughter were drafted.  Schwartz said that she would be proud to have her daughter serve if it came to that.

Dr. Sally Haskell from the women’s healthcare service at the Connecticut VA Hospital talked about how it wasn’t until the early 1990s that VA hospitals began to open women’s health centers to address the needs of female veterans.  Even today, female veterans find that the VA is still designed primarily for men and are reluctant to go there.  Helen Hart-Gai, APRN, talked about her work counseling veterans with PSTD, many of whom have been sexually assaulted.  She said that female veterans report a higher rate of sexual assault than the general population, and that 54% of all women veterans say they have been sexually harassed.  Hart-Gai also said that she counsels male sexual assault victims — not just from the current wars, but from WWII and the Korean and Vietnam Wars as well.   These stories about sexual discrimination were confirmed by the two graduate students, Amy Otzel and Despina Mavroudis, who told their stories about serving in Iraq.

Attendance was sparse (disappointing — but understandable since it is the height of paper/exam frenzy) but the event was very informative and moving.

Our local paper, The New Britain Herald, ran stories on CCSU veterans and  Veterans Day events on campus.  I searched in vain for any reporting on our event, and, you guessed it, the coverage was all about teh menz.  So, the Herald will be getting a letter from me and my colleagues in WGSS!

 

Sex and “Mad Men”

mad_menvia  Historiann, who asks what we think about the portrayal of sex on “Mad Men.”  Historiann observes that this is the era of Helen Gurley Brown’s Sex and the Single Girl (1962) — so where’s all the fun?  Well, my first reaction is that Brown’s main message was that because women were at a disadvantage economically, they needed to use their sex appeal to get ahead. I also find a lot of similarities between “Mad Men” and the classic Billy Wilder film, The Apartment (1960).  The key difference is that the film’s hero, Bud Baxter, is a mensch who actually respects women.  So far, there aren’t any of those in “Mad Men.”  [maybe they are hidden in the mail room with the token Jewish guy from Season One).

In addition, as a historian of sexuality and contraception, I need to deflate some myths about sex in the 1960s.  Here are some thoughts, from Chapter 7 of my recent book, Student Bodies, and my current project on the history of emergency contraception, complete with footnotes!

One of the most intractable historical myths about the contraceptive pill is the claim that this discovery caused the sexual revolution of the 1960s. Carl Djerassi, one of the chemists who worked on synthesizing the chemical components of the Pill, recalled that he had “no regrets that the Pill contributed to the sexual revolution of our time and possibly expedited it.”[i] Yet Alfred Kinsey’s surveys of sexual behavior indicated that a sexual revolution was underway well before the Pill arrived on the market. His Sexual Behavior in the Human Female (1953) disclosed that over 50 percent of the women in his sample had engaged in premarital sex.[ii] Kinsey’s findings were accompanied by the somewhat reassuring fact that the percentage of married teenaged girls increased markedly. By 1959, 47% of all brides had married before the age of nineteen, and the percentage of girls married between fourteen and seventeen had grown by one-third since 1940.[iii]

Commentaries written in the early 1960s reinforced the link between the sexual revolution and a contraceptive revolution. However, access to the Pill and other forms of contraception remained far from universal. Prior to the Griswold v. Connecticut Supreme Court decision of 1965, many states banned birth control even for married persons. Furthermore, Griswold only established the right to marital privacy. Few states allowed single women to obtain birth control, and those that did only allowed them to do so if they had reached the age of majority, which most states set at age 21. Some women were able to circumvent the law by convincing sympathetic physicians to prescribe the Pill for gynecological disorders. Even in areas where providing contraceptives for single women were not forbidden by law, physicians were often unwilling to contribute to “sexual immorality” by prescribing the pill to young unmarried women. When single women did manage to get a prescription there was no guarantee that they would find a pharmacist willing to fill it.[iv]

During season one of “Mad Men,” Joan Holloway gives Peggy Olson the name of a doctor who will prescribe the pill to unmarried women.  The scene between Peggy and the doctor is probably typical — he gives Peggy a prescription, but only after lecturing her about the irresponsibility of intercourse outside of marriage.  The show’s writers reinforce this moral framework with Peggy’s pregnancy and delivery at the end of Season One.

Let’s also not forget that Mad Men is set long before Roe v. Wade.  When Betty Draper finds herself pregnant at the end of Season Two, she tells her doctor that this is bad timing because her marriage is on the rocks.  The doctor is sympathetic and knows of doctors who will perform the procedure sub rosa, but says that the option of termination is really meant for young, single women who are “in trouble.”

In short, I think the show does capture fairly accurately the problems of this transitional period in the history of sexuality in the U.S.  Women were told to be sexy, but if you got pregnant (or raped), it was your own fault for “tempting” men.

Also, there is more continuity between the allegedly “repressed” 1950s and the so-called “sexual revolution” of the 1960s — as demonstrated in work by Beth Bailey.


[i] Carl Djerassi, This Man’s Pill: Reflections on the 50th Anniversary of the Pill (New York: Oxford University Press, 2004),  95.

 

[ii]Kinsey, Sexual Behavior in the Human Female (Philadelphia:  Saunders, 1953).

[iii] Beth L. Bailey, From Front Porch to Back Seat: Courtship in Twentieth-Century America (Baltimore, MD: Johns Hopkins University Press, 1988), p. 43.

[iv] Beth Bailey, “Prescribing the Pill: Politics, Culture, and the Sexual Revolution in America’s Heartland, Journal of Social History 30 (1997): 827-856; Heather Munro Prescott, A Doctor of Their Own: The History of Adolescent Medicine (Cambridge, MA: Harvard University Press, 1998); Prescott, Student Bodies: The Impact of Student Health on American Society and Medicine (Ann Arbor: University of Michigan Press, 2007).

New Feminist Disability Blog Launched

via Our Bodies Our Blog.  According to their About section:

“FWD/Forward is a group blog written by feminists with disabilities. It is a place to discuss disability issues and the intersection between feminism and disability rights activism. The content here ranges from basic information which is designed to introduce people who are new to disability issues or feminism to some core concepts, to more advanced topics, with the goal of promoting discussion, conversation, fellowship, and education.”

In short, disability is a feminist issue.  Right on!

CFP: Berkshire Conference

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The Berkshire Conference of Women Historians has just posted its call for papers for the 15th Berkshire Conference on the History of Women, which will be held at the University of Massachusetts-Amherst, June 9-12, 2011. The theme is “Generations,” and the link to the call will remain in the sidebar at left until March 1 2010, the closing date for proposals.

I’ve been attending this conference for almost twenty years — the first one I attended was at Douglas College, Rutgers University, in 1990.  I’ve gone to every one since then.  I even attended the Little Berks for the first time last Fall.  It’s a great place to meet others working in the field of women’s history — like summer camp for academics.  Oh yes, and there’s a dance!

Roman Polanski and The History of “Rape-Rape” in America

Now that I’ve cooled down a bit about Whoopi Goldberg’s clueless remarks regarding the arrest of Roman Polanski, I think I’ll write a little historical primer for all those out there who are wondering, WTF?

The core of Goldberg’s argument, as I see it, is that Polanski accepted a plea bargain to the charge of “having sex with a minor” aka statutory rape.  So, according to Goldberg, this isn’t “rape rape” — i.e. a sexual assault on an adult woman.  If the 13-year old had been over the age of consent (16), Goldberg seems to suggest, then it wouldn’t “really” be rape.

In order to explain why this line of argument is a crock of shit extremely faulty, here’s a brief history of rape law in the twentieth century (which I’m still working through so be patient folks):

The Women and Social Movements in the United States database has an excellent document project on the age of consent campaign at the turn of the twentieth century.  Since this database is subscription only (although you can access their blog for free), I’ll summarize.  Then as now, the “age of consent” referred to the age at which a girl could consent to sexual relations. A man who had sex with a girl below that age could be tried for statutory rape.  In the late nineteenth century the age of consent in many states was as low as ten or twelve, and in Delaware the age was seven (eww!).   Hoping to protect young girls from sexual predators, reformers started a campaign to raise the age of consent to at least sixteen, and preferably eighteen.  They based their work on that middle- and upper-class men were seducing and impregnating young, white, single girls who were flocking to the cities to find work.  Some of these girls were also victims of “white slavery” (aka sex trafficking) and were lured to the city by the promise of employment, only to find that the job was prostitution.  By 1920, most states had passed laws establishing sixteen or eighteen as the age of consent.

Now, as with other Progressive-era reforms, there were shortcoming to this reform campaign.  Most reformers were white, and overlooked the plight of African-American girls and women entirely (in fact, the reasoning was that by nature, all African-American women were hypersexual, hence it was impossible to rape a black girl or woman because men could not resist these “temptresses.  Ida B. Wells unsuccessfully tried to dispell this myth). The age of consent campaign also was based on compulsory sexual purity for girls and women outside of marriage. In fact, it was at this time that the notion of “sexual delinquency” was conceived.  Moral reformers created homes for “delinquent” and “wayward” girls — ostensibly to “protect” these girls from sexual predators, but also to “reform” their behavior — i.e. make them into virtuous, pure, respectable women.  This resulted in a major asymetry in punishment: men convincted of statutory rape typically served 2-3 years in prison.  A young girl sentenced to a reformatory for sexual delinquency (which included assault by an adult male), was incarcerated until she reached the age of majority (usually 21).  So, a fourteen year-old would serve seven years in a reformatory.

Now, what about “rape rape” — i.e. sexual assault of women over the age of consent?  Well, it depends.  If a white woman charged a black man with rape, then the myth of black male hypersexuality and the culture of white male chivalry ensured that the man would be found guilty (or more likely, lynched before he even came to trial).  Even young boys  (see the Scotsboro boys and Emmett Till). For white men, it was much easier to get away with the crime of rape, since a woman’s previous sexual experience could be admitted as evidence.  So, if a woman was a “slut” — i.e. had intercourse outside of marriage — then it was obviously her fault she got raped because she was “asking for it.” The so-called sexual revolution of the 1960s and early 1970s in some ways actually made this situation worse for awhile: teenage and young adult women reclaimed their sexual agency yet the criminal justice system still assumed that girls who “slept around” deserved to get raped, or rather, that it wasn’t “really” rape because the girl led the guy on.

By the 1970s, this assumption was becoming increasingly untenable.  As I’m finding in my work on the history of emergency contraception, health care workers  along with feminist  activists, fought for more humane treatment of rape victims by police officers, emergency room personnel, and the criminal justice system. As Estelle Freedman’s recent review of the feminist classic, Against Our Will, by Susan Brownmiller, “our view of rape has transformed since the 1970s, from an unavoidable and unmentionable price of being female to an unacceptable crime against the human rights of women.”  During the 1970s and 1980s, feminist groups created rape crisis centers, and courts declared that a woman’s sexual history was irrelevant in a rape trial.  In the 1990s, there was increasing awareness of the problem of date rape, and marital rape became a crime in all 50 states.

The Polanski case occurred when definitions of rape were still evolving.  So, if the victim had been an adult, her sexual history probably would have been used as a way to weaken or dismiss the case against Polanski.

However, by today’s standards, what Polanski did was not just statutory rape, but actual, full-on, rape.  If Samantha Geimer had been over the age of consent,   Polanski would still be charged with “rape-rape” because she said no, multiple times, and was under the influence of drugs and alcohol.  [again, see her testimony before the grand jury].

Added later: see the Rape is Rape website for more information on how you can take action on this issue.

Dirty Dancing Moves to Feminist Beat

dancing460via RHRealityCheck.org.  I had no idea that this film is “near and dear” to some feminists.  Certainly I was aware that this is a quintessential “chick flick,” but feminist too?  When I saw it over twenty years ago I thought it was just a sappy melodrama (sorry DD lovers).  Now I’m going to give it a second chance and see whether this really does have a feminist message.

Movie review: Julie and Julia

julie_and_julia_ver2_xlgSummer is nearly over and I finally got around to taking Tenured Radical’s advice and seeing the her pick for best grown-up summer movie,  Julie and Julia, even though I’m rather meh about Nora Ephron’s work.  Like TR, I found the Julia portions of the film more entertaining and compelling — largely because of my fond memories of watching “The French Chef” on WGBH in the early 1970s.  I enjoyed  Julie’s story too — the depiction of blogging as a form of self-discipline especially intriguing.  In some ways, both characters embark on their endeavors as a means of self-improvement — Julia because she needs “something to do” besides serve as a diplomat’s wife, Julie because she needs an escape from cubicle life (not to mention the stress that must have accompanied dealing with 9/11 claims and complaints).  In the end, both find what they first did for themselves can serve a wider audience.  I thought the two stories complemented each other nicely, but must admit there was more about Julia.  I hope someday someone will make a full-length feature about Child’s extraordinary life.  Meanwhile, I’ll have to make do with My Life in France.

I tagged this entry as women’s history because Julia Child’s place in twentieth-century women’s history is significant.  Heck, the Schlesinger Library, which specializes in history of women in the United States, has Child’s papers (along with those of her collaboration Simone Beck) as part of their reknowned  culinary history collection.

Book Club: The Well and the Mine by Gin Phillips

Our August book club selection was The Well and the Mine by Gin Phillips. It tells the story of the Moores, a Depression-era coal mining family in Alabama.  For them, the Depression is nothing new — they have been barely getting by all their lives.  But not to worry, this is not “The Waltons.”  Parents Leta and Albert are hard-working and loving, but they’re not  saints, and at times, they rail against the unfairness of the economic inequality. Albert after all is a union member trying to improve working conditions and wages for men working in the coal mines.

The action centers around a mystery —  Tess Moore, the middle daughter, sees a woman throw a baby down the family well on a hot summer evening in 1931. Tess and her older sister Virgie then set out to find who would do something so unspeakably violent.  Their quest leads them to various awkward encounters with women and families in even more desperate economic circumstances than the Moores.  The readers’ guide asks, were Tess and Virgie’s intentions pure.  I would say, not at first.  In fact, they seem bent on proving that poor women with lots of kids are  innately depraved enough to kill their children.  Eventually they come to have empathy for women who do the best with what they have.

Albert Moore is fortunate enough to own land, which allows the family to grow much of their own food and to even employ tenant farmers to harvest cotton for them. Although Tess, Virgie, and their younger brother Jack have to help out around the house and farm, they still have some time for play and social activities.  The children of the tenant family, the Talberts, are not so fortunate and must spend their days picking cotton.  Albert offers his kids the chance to earn some pocket money by helping with the harvest.  They are complete failures — the much younger Talbert children can outpick them, and don’t complain about pricking their fingers or sweating in the hot sun.

Like others in the pre-FDR years of the Depression, the Moores are just barely hanging on. They have no health insurance, and no safety net should something terrible happen to the key breadwinner. When Jack is injured in a hit and run accident, Albert chooses to work double shifts at the mine to pay the medical bills, rather than sue the brick company that owns the truck that hit his son.  For me, this was the least believable part of the novel.   Yes, people were less likely to file lawsuits then, but it’s just not convincing after Phillips descriptions of Albert’s concerns about justice for the working man.

More believable is Albert’s willingness to cross the color line and befriend his African-American co-worker Jonah.   There are limits to this friendship, though. Albert invites Jonah to have dinner at his house — Jonah refuses, fearing retribution from Albert’s racist colleagues and neighbors. Albert eventually backs down — but I think he does it more to save Jonah from harm than to protect Albert’s family.

Unlike some reviewers at Amazon, I had no problem with the shift between each family members’ point of view.  What didn’t work so well was Phillips’ choice to have Jack narrate as an adult.   I suppose she did this so she could tie up loose ends by telling what happened to the family after the summer of 1931, but I would have liked the story better had she left this open to the reader’s imagination.  Once the girls solve the mystery of the Well Woman,  the energy of the story dissipates.

Still, for the most part, this is a convincing and engaging first novel.  It’s a great example of the struggles that families had to endure to survive in the era before the social safety net created by FDR’s New Deal.

Next up: A Short History of Women by Kate Walbert.

Wealthy Women and the Suffrage Movement

Alva_Belmont_1 This week’s New York Times Magazine focuses on global women’s rights. The issue includes  an article by Motherlode blogger Lisa Belkin entitled “The Power of the Purse.” Belkin claims that this is the first time in history that women have used their dollars to advance the cause of women:

“To appreciate the magnitude of this change, go back 150 years or so to the women’s suffrage movement. Back to when one of its leaders, Matilda Joslyn Gage, lamented: ‘We have yet to hear of a woman of wealth who has left anything for the enfranchisement of her sex. Almost every daily paper heralds the fact of some large bequest to colleges, churches and charities by rich women, but it is proverbial that they never remember the woman suffrage movement that underlies in importance all others.’”

The article focuses on Women Moving Millions, founded by Helen LaKelly Hunt and Swanee Hunt, daughters of  oil magnate H. L. Hunt. Helen wrote her doctoral thesis on the origins of feminism, arguing that wealthy women sat on the sidelines during the battle for women’s suffrage:

“Women gave heart, mind, body, intellect, will, blood, sweat and tears, but not their dollars,” she says. “Women didn’t fund suffrage; now women are funding women. That’s historic.”

How could Hunt have forgotten Alva Belmont [pictured above] who was the key financial backer for both the suffrage movement and the cause of working women’s rights? Belmont not only gave loads of her own money and opened her lavish home in Newport, RI to suffrage activists, she was also a tireless fundraiser who was deft at getting other wealthy women and men to donate to her causes. Belmont also supported the more radical side of the suffrage movement, the Congressional Union for Women’s Suffrage, later renamed the National Woman’s Party (NWP).  These were the women who picketed the White House during the First World War, going so far as to compare President Wilson to the German Kaiser for refusing to grant women the right to vote.  These picketers were the same ones “Jailed for Freedom,” i.e. put in prison, where they were beaten, tortured, and lived under horrible conditions. Their story is nicely portrayed in the HBO film, “Iron-Jawed Angels.” Once the suffrage battle was won, the NWP went on to promote the Equal Rights Amendment, a move that was controversial even among many former women’s suffrage supporters.

Of course, there are other wealthy women who supported women’s rights — see the National Women’s History Project — and don’t forget to celebrate Women’s Equality Day, commemorating passage of the 20th amendment granting women the right to vote,  on August 26th.